Talent, love of performing define performers in annual Bozeman opera
Coco Douma as Alisa
Christopher Bengochea as Arturo
Jeff Kitto as Normanno
by Marjorie Smith
"Thank goodness for the MSU music department," says Roberto Stivanello, producer and director of the Intermountain Opera Association's (IOA) May production in Bozeman of Donizett's "Lucia di Lammermoor." "It gives us access to great musicians -- soloists, chorus and instrumentalists. We had three MSU alums as soloists in 'Lucia' and I am very proud of their performances. They were high quality voices and were completely professional, which is a reflection on the education they have received from MSU."
For the past 26 years, the spring productions of the IOA have become a linchpin of Bozeman's -- and MSU's -- cultural life. The MSU-IOA collaboration is a win-win situation, especially for the students who sing in the chorus and add a professional gig to their resumes. The IOA is the oldest professional opera company in the northern Rockies.
Tenor Jeff Kitto, '99 MusEd, sang Normanno, the scheming captain of the Guard. It was Kitto's seventh appearance with the IOA and his biggest role to date, although "it wasn't really flattering to my voice. But it is a good character part. I tried to make him really evil."
Jeff, who spent two years as lead singer with the rock band The Clintons, says, "I'm a better classical musician than rock, but The Clintons was a lot of fun. Now I'm back into classical music, pursuing it full time."
Anna "Coco" Turck Douma, EX '93, sang the role of Alisa, Lucia's companion. With a four-year old son and "the most supportive husband on the planet," she balances a banking career, family and doing "what I love to do -- performing." "Lucia" was Douma's 12th IOA opera. She has appeared in several musicals produced by Montana TheatreWorks and recently joined three other singers to form Sound Alive, a "Manhattan Transfer-esque" group.
Christopher Bengochea, '01 EX, who sang Arturo Bucklaw, the murdered bridegroom in "Lucia," grew up in eastern Montana and came to MSU to study piano. Bengochea got his voice fundamentals at MSU -- particularly from former faculty member David Cody.
"Christopher is a young man about whom we will hear more," says Suzanne Gorder, a voice teacher who settled in Bozeman after a career as a coloratura soprano in Europe and San Francisco.
Kitto believes the MSU music department has always had outstanding faculty. "The individuals in the department are much greater than the sum of the degree," he says. "I can't say enough about Johan Jonsson and his stimulating music history classes, or about Lowell Hickman's choral direction. And David Cody -- he instilled so much passion for music in both Chris and me." Kitto, who once beat out Bengochea for the title role in an MSU workshop production of "The Old Maid and the Thief" agrees that Bengochea is a force to be reckoned with.
For his part, Bengochea has no intention of abandoning his home state. "I'll keep coming back as long as the IOA keeps asking me," he promises.