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Dan
Flory
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History
& Philosophy
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Bok
Sowell
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Animal
& Range Science
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Jayne
Downey
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Education
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Jeffrey
Conger
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Art
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Kay
Chafey
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Nursing
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Lynda
Sexson
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History
& Philosophy
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F.
William "Bill" Brown
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Business
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| MSU
Educators Share Their Passion for Teaching |
| by
Jean Arthur, MSU Communications Services |
|
| Packing
a passion to teach and an avocation to learn, Montana
State University professors use innovative teaching methods
to engage students. |
| Many
professors have either retrofitted or abandoned altogether
the traditional lecture format to adapt to the manner
in which contemporary students synthesize knowledge. That
may seem like alchemy, yet through hard work, intensive
research and contagious enthusiasm, professors meld students'
base knowledge and energy into gold. Some of the outstanding
faculty members whose dedication to teaching is exemplary
are highlighted here. |
| Dan
Flory, History & Philosophy |
| When
90 students in a lecture hall discuss the philosophy of
moral theories applied to popular culture, some might
hear chaos. To Dan Flory, it's music. When he began teaching
at MSU in 1996, he sought ways to encourage students to
engage in unfamiliar abstract ideas and theories. With
large unwieldy groups, a discussion where all students
participate seems impossible. |
| "Working
in groups of three to five, students interpret the ethical
choices of fictional characters by using philosophical
concepts and approaches," says Flory. "In a semester,
I give students between 10 and 20 projects. I find that
the more projects the students do, the better they understand
and enjoy the material." |
| In
groups of five or less, each student has the opportunity
to participate and learn. The projects lend themselves
to rotation of roles and responsibilities. Students examine
narrowly focused aspects of moral theories or concepts
and apply them to the moral choices faced by characters
in classical and contemporary fiction and films ranging
from "The Maltese Falcon" and "Vertigo," to "Crouching
Tiger, Hidden Dragon." |
| "The
procedures are modeled on those developed by Quakers to
structure discussions without formal leaders," says Flory.
"It works well with undergraduates who often feel uncomfortable
with formality. The students choose their own group members,
recorders and facilitators." |
| Flory
lectures two-thirds of the time and offers discussions
with the class as a whole, yet finds that the projects
enrich the material by giving students concrete examples
with which to understand difficult theories. |
| "These
projects make students active participants in their own
education, show how theories and concepts operate in detail,
and demonstrate how they apply to their lives," he says. |
| Bok
Sowell, Animal & Range Sciences |
|
In the Lamar Valley in Yellowstone National Park, Bok
Sowell and 16 students examine willows, aspen and sage
brush of the Northern Range. The freshmen and sophomores
discover an interaction between wildlife grazing and plant
responses. |
| "We
want to demonstrate that science is a process of testing
ideas." says Sowell who taught a new Core 2.0 program
test course, this fall, called the Nature of Yellowstone.
He designed the natural sciences class to encourage non-science
majors to participate in the scientific process. |
| The
new Core 2.0 curriculum, required for all incoming freshmen,
is a discovery-based, multidisciplinary seminar that encourages
students to participate in a shared process of intellectual
inquiry. Students explore arts, humanities, natural sciences
and social sciences through foundations of diversity,
written communication, quantitative reasoning and contemporary
science. |
| The
range sciences professor and students spent three days
and two nights in Yellowstone in September taking vegetation
data. They proposed hypotheses and collected measurements
to test their ideas. |
| The
students combined all their information and compared results
when they returned to the classroom. |
| "We
spent more time talking about how you arrive at answers
rather than just looking at answers," says Sowell. "We
have students on the same project with different answers.
One of our objectives was to demonstrate why similar studies
reach different conclusions." |
| Students
know that the Nature of Yellowstone is definitely not
a conventional science course where they sit in class
memorizing facts. |
| "It's
hands-on and the students definitely like that," says
Sowell. "But it's more of a challenge than a traditional
class. Because the course is less structured, it requires
more discipline. When you get away from multiple choice
exams to essay writing and synthesizing information, some
students accelerate." |
| As
the course evolves to meet new Core standards, Sowell
fine tunes activities and assignments for the non-science
majors. |
|
"At the end of the course, the students have learned some
methods of scientific inquiry, and they recognize how
scientists arrive at some of their answers," says Sowell.
"And perhaps, they will like science just a bit more." |
| Jayne
Downey, Education |
| New
to MSU in fall 2002, Jayne Downey quickly endeared students
to her style of teaching in which education majors experience
a wide range of ways to be actively engaged in learning. |
|
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| "I have a very
lively classroom," says Downey, an educational psychologist. "We examine
different theories of teaching and learning and then work on applying
those theories to various classroom problems and scenarios." |
| One of Downey's
specialties is teaching future k-12 teachers how to work with "at-risk
kids." Her research examines what's called "Educational Resilience,"
exploring the school-related factors that help youngsters overcome
adverse circumstances. She shares these results with her MSU education
students in hopes of equipping them with tools to be effective k-12
teachers. |
| "I found that
the most successful teachers are ones who build strong relationships
with their students," says Downey. "Successful teachers find ways
to engage and motivate all the kids including the ones who are at
risk for dropping out or failing. I show my students what they as
teachers can do to help kids overcome tough situations." |
| Downey considered
pursuing a career in counseling psychology but decided to focus her
efforts in education instead. |
| "Good educators
play an important role in their stu-dents' lives," she says. "So I
want to spend the rest of my life helping prospective teachers learn
how to be effective in the classroom. If I can teach 200 teachers
every year how to motivate and inspire students, and they each teach
30 kids every year, I know we can make a difference in the lives of
many children and adolescents around Montana." |
| Jeffrey
Conger, Art |
| Flame jobs, hemi
engines and hood scoops capture the hearts of the high-octane culture
and intrigue students in Jeffrey Conger's graphics and photography
classes. The professor was recently named by I.D. Magazine (International
Design) as one of the top 50 influential artists in America. As a
photographer with classic training in graphic design, Conger fuses
seemingly divergent materials--metal and film--into page layouts and
magazine covers. As a professor, he encourages students to merge their
creativity with commercial interests. |
| "Our role as
professionals and educators is to first educate in the ways of graphic
design, and then help students explore combinations of artistic talent
within a narrative context that will lead to a successful niche,"
says Conger. "Take a student who rides horses, then comes to Bozeman
to study graphic design. After graduation, he or she may be hired
as art director for Appaloosa Quarterly." |
| From Bonneville
Salt Flats to American LeMans, Conger transformed his early machine
shop experiences into text and photos for national automotive magazines.
His images of sports cars and hot rods have been displayed at more
than 30 galleries and museums across the country. |
| During fall semester,
he and three colleagues took 33 students to Seattle to meet leading
designers in the region, visit advertising agencies and art museums. |
| "The trip was
a big hit," he says. "In the creative field, job matches are based
on personality and portfolio so creative teams can exist and be productive.
We exposed graduating seniors to real-world experiences and look now
to have them placed in and around the Rockies." |
| He notes that
recent grads currently work in-house at some of the West's largest
corporations including Nike, Adidas, Scott USA, Tower Records, Seattle
Times, Boeing and Starbucks. |
| "Anyone can teach
a computer program, but to offer a successful arts-design course,
you need content, creativity and innovation, which can only be cultivated,
not taught," he says. "All the faculty members are proud that the
stu-dents in design graduate with their personalities intact." |
| Kay
Chafey, Nursing |
| Shells, bells,
quills and fringe are not part of traditional graduation gowns. Yet
when Kay Chafey's nursing students put on the mortarboard, they also
wear traditional Native American dress. They display their heritage
and their pride as part of the Caring for Our Own Program (CO-OP). |
| "We call it the
CO-OP program to emphasize the partnership of university nursing educators
with tribal leaders and native health professionals," says Chafey,
project director. Participating tribes include the Blackfeet, Crow,
Northern Cheyenne, Rocky Boy, Fort Belknap, Fort Peck and Wind River
(in Wyoming). "The CO-OP seeks to increase recruitment, retention
and graduation among the Native American students." |
| She notes that
there is a serious shortage of American Indian nurses. She says that
Native American graduates will provide leadership and excellent culturally
sensitive care. The College of Nursing received a Nursing Work-force
Diversity grant and a $1.5 million Indian Health Service award to
increase the number of Native American nursing students in Montana
and northern Wyoming. |
| As project director,
Chafey pays close attention to special needs of her students. |
| "Many in the
CO-OP program have family, children and financial demands that are
challenging," she says of the 30 participants among the nursing school's
764 students. "Without our assistance, they may drop out." |
| She teaches,
she tutors, she encourages and sometimes pushes, yet Chafey holds
the respect of her students. With the help and support of the CO-OP,
Native American students have a much greater chance for success during
their initial transition from small towns and tribal colleges to the
large university system. |
| Thanks to Chafey,
"Pomp and Circumstance" is accompanied by the chimes of shells, bells,
quills and fringe, an ode to Caring for Our Own Program. |
| Lynda
Sexson, History & Philosophy |
| "Education does
not fit the consumer model," says Lynda Sexson, "but is a gift exchange
where the good cannot be hoarded, where the good has transformative
power." |
| As a humanities
professor, Sexson continually evaluates her role as a teacher and
as a student herself, curious, analytical and inventive. She models
teaching after some of the world's best-known instructors: Socrates,
Confucius, Buddha, Jesus and Rabbi Nachman of Bratslav, whose teaching
strategies advance the difficult partnership of independence and cooperation. |
| "The writings
of these philosophers and teachers enhance our tolerance for the complex
and the iconoclastic," says Sexson. "They teach us to trust students
and their ideas and experiences." |
| Yet, she sees
challenges to academic integrity in the form of the consumer model.
|
| "Students seek
the most expedient means to 'purchase' bundles of information or strings
of grades," she says. "To counteract this assumption, I offer a group
or individual assignment with uniform grades. In seminars I am more
candid, assigning students individualized, difficult research topics
and short presentations." |
| To balance the
stress and challenge of graded assignments, Sexson also uses cooperative
projects without grades. |
| Initially, she
says, students are baffled then animated by the chance to propose
novel solutions or approaches. |
| "If students
investigate what they learn, they are empowered," says Sexson. "Ultimately,
I want students to read and to write, to invent and nurture, to know
the close call between word and world." |
| F.
William "Bill" Brown, Business |
| "For students
to really engage and learn, we have to make what we present simultaneously
interesting and useful," says F. William "Bill" Brown, who intersperses
what he calls "lecturettes," short explanatory presentations, amidst
a variety of other class activities. "I organize my classes so we
shift activities about every ten minutes." |
| He notes that
a solid educational psychology exists behind his class format or that
which accommodates different learning styles. Lecturettes typically
occur between case studies, focused listings, small group responses
to questions, extemporaneous debates and a variety of experiential
exercises followed by discussion and application. |
| Brown says his
objective is to infuse business students with the technical skills
required to succeed in business organizations combined with effective
general interpersonal skills and leadership skills. He finds that
typically, undergraduates arrive at the university with little or
no managerial experience and not much personal context to understand
business and organizational dynamics. |
| "I constantly
relate the things we discuss in class to contemporary business/managerial
situations and to the basic issues of their personal and interpersonal
development," he says. "Teaching this way can be one of the few truly
sustainable professions. I consider teaching to be a life- and energy-giving
experience. Students infuse me with energy, interest and a sense that
I have to prove myself to each new group." |
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